The River That Turned to Stone

Three panels. One geological memory.

There is a moment in the formation of agate when mineral-rich water, moving through volcanic cavities over millions of years, suddenly stops. What was fluid becomes permanent. What was in motion becomes witness.

This triptych was made from that exact memory. Three panels of layered resin — obsidian black, raw amber, bone white — poured and manipulated by hand until the surface resolved into something that has always looked like this. Like it was never made. Like it was always found.

The gold veining is 24-carat. It does not simulate stone. It is what stone wishes it could be.

All acquisitions are handled with the discretion and patience the relic deserves.